| Descript |
25p. : ill (some col) . : 30cm |
| Thesis |
Thesis submitted for B.A. (Hons) in Print (Fine Art) 2016 |
| Bibliog. |
Includes bibliographical references. |
| Contents |
The following text is an examination of Marianne Hirschs theory of Post-memory in relation to the country of Yugoslavia through an analysis of the work of authors Rebecca West, Black Lamb and Grey Falcon (West, 1944), in contrast to contemporary artist Dragana Jurisic and her book YU the Lost Country (Jurisic, 2013). As well as Art Spiegelmans MAUS (Spiegelman, 1991) and the interlinking influence of Marianne Hirschs the Generation of Post Memory (Hirsch, 2008) in relation to the stated artists above, as well as interviews which provide a firsthand account of life in Yugoslavia at the time of turmoil. A discussion on how these artists and theorists have informed my current studio practice will also be included. [Abstract] |
| Subject |
Marianne Hirsch.
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Post-memory.
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Yugoslavia.
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Studio practice.
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Print theses
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Extended essays -- Print.
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Theses -- LSAD -- Clare Street
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